Ain’t no sunshine now that he’s gone – Bill Withers dies at 81
Bill Withers, the Grammy-winning artist behind the beloved Lean on Me succumbed to heart complications, according to his family, which said it was “devastated” over the loss.
“A solitary man with a heart driven to connect to the world at large, with his poetry and music, he spoke honestly to people and connected them to each other. In this difficult time, we pray his music offers comfort and entertainment as fans hold tight to loved ones.”
The artist’s recording career lasted just 14 years – he released his final album in 1985 – but his hits that melded gritty southern blues with smooth R&B have endured for decades as global classics, including Lovely Day and Just the Two of Us.
The youngest of six, Withers was born in July 1938 during the final years of the Great Depression in Slab Fork, West Virginia, and grew up in a segregated coal mining region.
Early years
As a child he struggled with a stutter, and in his teenage years enlisted in the US Navy and then worked as an aircraft mechanic. It wasn’t until his mid-30s that Withers began recording music. He told The New York Times in 2015:
“I can’t play the guitar or the piano, but I made a career out of writing songs on guitars and piano. I never learned music. I just did it.”
Withers moved to Los Angeles in 1967 and self-financed demos, releasing in 1971 his debut studio album Just As I Am, which was produced by the influential Booker T. Jones.
Its single Ain’t No Sunshine is now named among Rolling Stone’s greatest songs of all time.
But the track that became an indelible smash came out on the B-side – the artists and repetoire (A&R) promoters at Withers’ label didn’t think much of it. Withers told NPR in 2015
“The disc jockeys, god bless ’em, turned it over, and that’s how I got started. I call A&R ‘antagonistic & redundant,’ and that’s why – because they make those genius decisions like that.”
‘Our everyman’
Rolling Stone dubbed Withers’ second album Still Bill – which included the now-standards Lean on Me and Use Me – a “stone-cold masterpiece.”
Withers based Lean On Me – a wildly popular ode to friendship that soundtracked the presidential inaugurations of Barack Obama and Bill Clinton – on his West Virginia childhood, inspired by selfless neighbors in cash-strapped times.
An ardent crusader for creative freedom, his disdain for labels was no secret.
“Early on, I had a manager for a couple of months, and it felt like getting a gasoline enema,” he told Rolling Stone. “Nobody had my interest at heart. I felt like a pawn. I like being my own man.”
Acclaim
He put out eight studio albums, and entered de-facto retirement in 1985 after releasing his final studio work, Watching You Watching Me.
But his legacy continued to grow well after he left the industry, with many artists including A-listers like Mick Jagger, Aretha Franklin and Paul McCartney covering his songs.
Withers also found love from hip hop artists eager to let samples of his hits power their raps, including Jay-Z, Tupac Shakur and Blackstreet, who with Dr. Dre and Queen Pen revived Grandma’s Hands for the 1990s hit No Diggity.
“I feel very flattered that my songs have become part of the American landscape,” the artist, who kept a low profile as he aged, told Billboard in 2005.
Withers entered the Grammy Hall of Fame in 1999, and fellow soul icon Stevie Wonder inducted him into the Rock and Roll Hall of Fame in 2015.
Tributes
Tributes began pouring out to the late songwriter, whose death came amid stress over the deadly coronavirus pandemic.
“This hurts to hear,” said Questlove, drummer for The Roots, on Instagram, hailing Withers as “one of the last celebrated blue collar musicians.”
“He was our Springsteen… Our Everyman.”
The Recording Academy behind the Grammys dubbed Withers “remarkably impactful,” as the Beach Boys songwriter Brian Wilson called him a “songwriter’s songwriter” and John Legend tweeted that “life wouldn’t be the same without him.”
“Rest in power Bill Withers,” tweeted R&B star Lenny Kravitz. “Your voice, songs, and total expression gave us love, hope, and strength.”
“My soul always has & always will be full of your music… you carried us all to a better place.”
Andrew Marszal, with Maggy Donaldson in New York © Agence France-Presse. Additional reporting by Cheryl Kahla.
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